Aleksandra Scepanovic questions our innermost by engaging the boundary between form and expectation. Her builds are strong physical preambles to wonder and potentiality, arrested in change. Enrolling the form into enduring transformation, Ms. Scepanovic’s forms give license to the mind to absorb context and effect. Her pursuits compare rational forms with intuition and provoke illuminating journeys to mystery. Aleksandra’s sculptural work underscores her experience of migratory displacement, her enduring quest for a true likeness of identity suspended in between war, peace, and culture.
You sleep and wonder, what are these days? They seem so innocent, but the core remains forbidden. Is it an era beginning in decrescendo? I rise and bend my red hinges remembering the speedy clothes I used to wear to set the pace, responsible only to myself, not photographs. Over before it started—this great online pose. The next thoughts extend into the happy land of coincidence, like waving from an apartment window from a party to another party. I live in Mightaswell, Pop. 1.
Lawrence Bridges'poetry has appeared in The New Yorker, Poetry,andTampa Review.He has published three volumes of poetry:Horses on Drums(Red Hen Press, 2006), Flip Days (Red Hen Press, 2009), and Brownwood(Tupelo Press, 2016). You can find him on IG: @larrybridges.